These are a few publications that came up during the steering group‘s initial discussions in York. This list is extremely provisional and incomplete, focusing principally on the decade itself, rather than seeking to cover particular works or authors. However, it might serve as a starting point for those wishing to explore some of the existing work touching on the 1820s. Additions are very welcome (please send by email to the organisers).
- Chase, Malcolm, 1820: Disorder and Stability in the United Kingdom (Manchester University Press, 2016).
- Cronin, Richard, Paper Pellets: British Literary Culture After Waterloo (Oxford University Press, 2010).
- Cronin, Richard, Romantic Victorians: English Literature, 1824-1840 (Palgrave Macmillan, 2002).
- Dart, Greg, Metropolitan Art and Literature 1810-1840: Cockney Adventures (Cambridge University Press, 2012).
- Duncan, Ian, Scott’s Shadow: The Novel in Romantic Edinburgh (Princeton University Press, 2007).
- Eisner, Eric, Nineteenth-Century Poetry and Literary Celebrity (Palgrave Macmillan, 2009).
- Erickson, Lee, The Economy of Literary Form: English Literature and the Industrialisation of Publishing, 1800-1850 (Johns Hopkins Press, 1996).
- Esterhammer, Angela, ‘1824: Improvisation, Speculation, and Identity-Construction’, BRANCH (Britain, Representation, and Nineteenth-Century History, 1775-1925), ed. by Dino Franco Felluga (2012).
- Esterhammer, Angela, ‘Improvisation, Speculation, and Mediality: The Late-Romantic Information Age’, in Europäische Romantik: Interdisziplinäre Perspektiven der Forschung, ed. by Helmut Hühn and Joachim Schiedermair (de Gruyter, 2015), pp. 229-37.
- Esterhammer, Angela, ‘Speculation in the Late-Romantic Literary Marketplace’, Victoriographies, 7.1 (2017), 7-24.
- Fermanis, Porscha et al., SouthHem: Settler and Indigenous Writing in the British-Controlled Southern Hemisphere and Straits Settlements, 1780-1870, <http://www.ucd.ie/southhem/>.
- Fulford, Tim, The Late Poetry of the Lake Poets (Cambridge University Press, 2013).
- Fyfe, Aileen, Steam-Powered Knowledge: William Chambers and the Business of Publishing, 1820-1860 (University of Chicago Press, 2012).
- Gardner, John, Poetry and Popular Protest: Peterloo, Cato Street and the Queen Caroline Controversy (Palgrave Macmillan, 2011).
- Garside, Peter, Jacqueline Belanger and Sharon Ragaz, British Fiction, 1800–1829: A Database of Production, Circulation & Reception, designer Anthony Mandal <http://www.british-fiction.cf.ac.uk>.
- Higgins, David, Romantic Genius and the Literary Magazine: Biography, Celebrity, Politics (Routledge, 2005).
- Killick, Tim, British Short Fiction in the Early Nineteenth Century: The Rise of the Tale (Ashgate, 2008).
- McKitterick, David, ‘Introduction’ to The Cambridge History of the Book in Britain Volume VI: 1830-1914 , ed. by David McKitterick (Cambridge University Press, 2009), pp. 1-74.
- Malm, Andreas, Fossil Capital: The Rise of Steam Power and the Roots of Global Warming (Verso, 2016).
- Mole, Tom, Byron’s Romantic Celebrity: Industrial Culture and the Hermeneutic of Intimacy (Palgrave Macmillan, 2007).
- Mole, Tom, What the Victorians Made of Romanticism: Material Artifacts, Cultural Practices, and Reception History (Princeton University Press, 2017).
- Nemoianu, Virgil, The Taming of Romanticism: European Literature and the Age of Biedermeier (Harvard University Press, 1984).
- North, Julian, The Domestication of Genius: Biography and the Romantic Poet (Oxford University Press, 2009)
- Parker, Mark, Literary Magazines and British Romanticism, 1820-1834 (Cambridge University Press, 2000).
- Rezek, Joseph, London and the Making of Provincial Literature: Aesthetics and the Transatlantic Book Trade, 1800-1850 (University of Pennsylvania Press, 2015).
- St Clair, William, The Reading Nation in the Romantic Period (Cambridge University Press, 2004).
- Stewart, David, The Form of Poetry in the 1820s and 1830s: A Period of Doubt (Palgrave Macmillan, 2018).
- Stewart, David, Romantic Magazines and Metropolitan Literary Culture (Palgrave Macmillan, 2011).